A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.

Thursday, January 8, 2009

Pourquoi Pas! (1977)



















A rundown suburban villa is home to three friends who live happily together. The trio who make up the ménage-à-trois in "Pourquoi Pas!" are occasionally seen in bed together, but their arrangement apparently has little to do with sex. The sight of these characters asleep as a group--peaceful and comfortable--suggests that they have a stable household. Fernand (Sami Frey) and Alexa (Christine Murillo) are fugitives from failed marriages. His ex-wife won't let Fernand see his children because of his bisexuality. Louis (Mario Gonzáles) is a young bisexual musician who couldn’t get along with his parents. Midway through the story, the film introduces pretty, naïve, and straitlaced Sylvie (Nicole Jamet), whom Fernand wants in the ménage. They have mundane chores to attend to, and much of the film's interest lies in the tiny details of their communal lifestyle. Fernand is the tidy one, the one in charge of getting the vacuum cleaner fixed. Alexa brings home the bacon with a job reading to a bedridden woman who likes to hear the same book over and over again. Louis' contribution is less apparent, and he's more two dimensional than the others. His character with a family history of madness is poorly explained. The strange ménage attracts the attentions of a police inspector (Michel Aumont), but he is also drawn into this world of mutual tolerance and free love, becoming their friend when his own wife leaves him and he has a midlife crisis. The happy community looks as if it might be falling apart when Fernand falls in love with a young middleclass woman.

Although it's slightly dated now, this entertaining and witty tongue-in-cheek film shows that nonconformity isn't what it used to be, and offers a few amusing glimpses of the bohemian world, or what's left of it. There are shades of Luis Buñuel in the way bourgeois attitudes are portrayed and made fun of, but the film is basically a conventional French comedy drama, the kind they don't make in Hollywood. The timing is not good, and the storyline is a little awkward, with subplots that are confusing tangents. Jean-Pierre Mas composed the music, and Coline Serreau wrote the script and directed. In French with English subtitles, the English title is "Why Not!".

Relax... It's Just Sex (1998)



















A mixed group of lesbian, gay, and heterosexual friends who frequent a local bar try to accept each others lifestyles. However when the two gays, Vincey (Mitchell Anderson) and Javi Rogero (Eddie Garcia) are attacked, fight back, and ultimately rape one of their attackers, the group becomes strongly divided on their actions. Straight Tara Ricotto (Jennifer Tilly) is the den mother of the group, and tries to hold everyone together. She hosts a dinner party, and when she discusses the HIV-positive results of her lover's brother, others join in with their opinions on AIDS. Black artist Buzz (T. C. Carson), brought to the party as the date of Vincey, quickly becomes a twosome with Javi. Megan (Serena Scott Thomas) breaks up with her black lover Sarina Classer (Cynda Williams) after Megan reveals her affair with Sarina's cousin Jered Bartoziak (Billy Wirth). With lesbian, gay, and straight interactions throughout, the film's framework is reminiscent of Arthur Schnitzler's play "La Ronde" (1900), as characters speak directly to the camera and introduce other characters.

This poly-sexual, multi-racial romantic comedy revolves around the tangled relationships and love affairs of a group of close-knit friends. It's an interesting, intriguing, thought provoking, and disturbing emotional roller coaster ride that provides laughs and tears. It's not really about sex, but about the friendships that happen once in a lifetime. The movie takes story lines that are soap-opera clichés and transforms them with clever realistic dialogue and strong performances. Characters grow increasingly genuine, giving some of the twists in their lives an unexpected emotional impact. Lori L. Eschler composed the music, and the film was written and directed by P. J. Castellaneta.

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