A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.
Tuesday, February 3, 2009
Coming Out Under Fire (1994)
This documentary film about homosexuality in the American military during World War II features interviews with 10 gay men and women who served in the armed forces. Phillis Abry, a radio technician in the Women's Army Corps, was able to carry on a homosexual relationship without being detected and receive an honorable discharge. Others, like Marvin Liebman, who was in the special services of the United States Army Air Corps, were identified as gay, having "psychopathic" personalities, and were discharged as undesirable. Mr. Liebman was interrogated when military censors read a letter he had written to a friend whom he addressed as "darling".
Another veteran, identified as Clark, was an Army clerk and typist who helped create a mimeographed newsletter, The Myrtle Beach Bitch. The campy publication, which was circulated privately among gay servicemen, eventually got him into trouble. He was court-martialed and served nine months in prison. He has spent years challenging his undesirable discharge status. Many of these veterans had to lie to avoid persecution from within the military ranks and prosecution from without. In the witch-hunt atmosphere that pervaded the military, people suspected of being gay were relentlessly interrogated and manipulated into identifying other homosexuals. Many were sent to psychiatric hospitals or imprisoned for months in "queer stockades." Discharged as undesirable, they often found themselves pariahs, unwelcome in their hometowns and unable to find work.
Servicemen staged drag entertainments for one another in which many of the performers were gay. As Tom Reddy, who served in the Marines, recalls: "I went in at 17 and came out at 21, and I knew I was a man. It took nerve to put on a dress and run out there in front of 500 or 1,000 of your peers that were all pretending to be so macho." These and many other personal testimonies are woven into an portrait of 1940's military life that uses Army training films, newsreels and period documents. The final exchange between Senator John Warner and Colonel Margarethe Cammermeyer regarding the implementation of the "Don't Ask, Don't Tell" policy ends the film with a bang.
This 72 minute reflective documentary based on the book of the same name by Allan Bérubé is simplistic with a bitter undertone. There are brief flashes of humor, but it is mostly upsetting in the dark secrets that it reveals. The documentary shows not only the long tradition of gays in America's military but also their tradition of serving with distinction before meeting with betrayal. Mark Adler composed the original music. The screenplay was written by Arthur Dong and Allan Bérubé from Bérubé's book. Arthur Dong directed.
Eban & Charley (2000)
Charley (Giovanni Adrade) is turning 15. For the past year, since his mother's (Pam Munter) death, he has lived in Seaside, Oregon, with his stern military-man father (Ron Upton). During one grim Christmas break Charley meets Eban (Brent Fellows), a young-looking 29-year-old teacher, home for the holidays to see his parents after being driven from Seattle by a controversy at the school where he taught. They have things in common: both sign (Charley's mother was deaf), both play the guitar, and both are gay. As their relationship deepens during walks on the beach, singing, and talk of poetry, we see it from their point of view and also from the points of view of both of their fathers. Eban acts with complete reserve and restraint, while Charley makes the first move and proclaims that age shouldn't matter if they love each other. "What if there's nothing wrong with me?" Eban asks about an hour or so into the film. Charley's loneliness gives way to happiness when he's with Eban. When their friendship deepens into intimacy, both of their families condemn it and threaten to call the police. With tensions high, and the stakes even higher, Eban and Charley face the most dangerous decision of all, and the two have to deal with the legal and social ramifications of the relationship.
This earnest underdramatized movie depicts an affair between a 15-year-old and a 29-year-old. The actors give naturalistic performances that some viewers might find tedious and others may find refreshing. It's a good film, restrained, careful, and provocative, with pacing problems and some awkward line readings. The message is ambiguous. Is a 15-year old capable of giving consent to an intimate relationship with an adult? Should we see Eban as a dangerous predator and criminal pervert? Some of the dialogue is a bit too preachy and stagy, and some scenes seem a bit too melodramatic and contrived. Stephin Merritt of indie-pop band Magnetic Fields composed the original music. James Bolton wrote the screenplay and directed,
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