A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.

Monday, March 9, 2009

Passing Strangers (1974)















Arthur J. Bressan Jr. and Richard Locke

Robert (Robert Adams), a 28 year-old man places a personal ad in the Bay Area Reporter in San Francisco. He uses Walt Whitman's "To a Stranger" poem as his message. It's answered by 18 year-old Tom (Richard Camagey), living at home with his parents. Parts of the film are narrated (Bob Middleton and Edward Guthman) by their correspondence until they finally meet. Robert becomes Tom's mentor. There are vintage lingering shots of "the scene" on Polk St. in the early 1970's, some great shots of Gay Freedom Day, a trippy hippie scene with a young Richard Locke in a bath house, and director Arthur J. Bressan Jr. has a non-sexual role early in the film as the projectionist. On Polk Street the actors are: Grant Ditxler, Patrick Lee, Leon McGraw, and Darrell Mascall. The bubble sequence features: David Dehr, Terry Hunter, Chuck Feil, John Thompson, Richard Klingerman, Ralph Osborn, and Wayne Woodcock. Richard Locke, Ralph Osborn, Wayne Woodcock, and Eddie Cadena appear in the bath house.

In Walt Whitman’s 1855 “The Leaves of Grass” there is a series of 45 poems called "Calamus", which celebrate and promote the theme of love. In “To a Stranger” Whitman expresses a general sense of longing directed at the world in general and he not only alludes to the love between a man and a woman but to the beautiful and sane affection between a man and a man. It reveals Whitman’s inner conflicts with his sexuality and his yearning to want to express his sexuality openly without restrictions imposed by society.

To a Stranger

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you--your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass--you take of my beard, breast, hands, in return,
I am not to speak to you--I am to think of you when I sit alone, or wake at night alone,
I am to wait--I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

"Passing Strangers" is completely unavailable. You cannot watch it, and I have not seen it, so I cannot evaluate its merits. But it did win first prize at San Francisco's Erotic Film Festival, and one reviewer regards it as a "great film". Jeffrey Olmstead composed the music score, and Arthur J. Bressan Jr. directed.

Colegas (1982)



















"Colegas" is a candid study of contemporary teen friendships set in Spain, specifically the suburbs of Madrid. Antonio (Antonio Flores) and José (José Luis Manzano) have been best friends for most of their 18 years. They've drifted into a jobless lifestyle of the young, waiting for a future. Rosario (Rosario Flores) is Antonio's sister and José's girlfriend. The three are inseparable and all three face a tough job search. When Rosario discovers that she is pregnant by José, a chain of events is set in motion. While she's trying to decide her options of keeping the child, abortion, or adoption sale, the two best friends are forced into street hustling and an ever-expanding life of crime, drug running to raise money to pay for her decision. This is all balanced against their relationships with their respective families--mostly with José's brother's open sexuality and his parent's disapproval of his friends. As problems develop it seems that it will cost them much more than just money. José and Antonio decide to engage in prostitution in a gay bath house. The ending has a good and a tragic outcome for both friends.

This buddy film about lost teenagers in modern Madrid examines drug abuse, unplanned pregnacies, and awkward homosexual feelings in an unflinching and erotic style. Directed and co-authored by Spain's most outspoken filmmaker, the movie features fast pacing, sympathetic characters, harsh language, and abundant male nudity. Its believable, sympathetic, and draws parallels to American culture. Miguel Botafogo composed the music score. The screenplay was written by Gonzalo Goicoechea and Eloy de la Iglesia, who also directed. In Spanish with English subtitles. The English title is "Pals".

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