A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.

Monday, February 9, 2009

Coming Out (1989)



















High school teacher Philipp Klahrmann (Mathias Freihof) during his first day at work collides with female teacher Tanja (Dagmar Manzel) in one of the school's corridors. As a result Tanja and Philipp get to know each other and develop a romance. While going out with Tanja, Philipp gets dragged into a gay party and meets Matthias (Dirk Kummer), a shy 19-year-old who becomes interested in Philipp. After they meet again by chance, Matthias invites Philipp to his birthday party that evening. After some hesitation Philipp ends up going and the two of them go back to Philipp's apartment and sleep together.

The situation with Tanja deteriorates as Philipp becomes distant and worried, as he begins to come out to himself. He is forced to come out to Tanja, after he and Matthias embrace during the intermission at the opera. Matthias is distraught upon learning that Philipp is married and runs out of the opera house. Over the next few weeks Philipp searches for Matthias, until one night he finds him in a bar with another man, one of Philipp's students. Matthias, still very hurt, pushes Philipp away. Philipp goes to another bar and becomes aggressive with an older gay man. He calms down and tearfully listens as the older man explains that he understands what Philipp is going through, because 50 years earlier he and his boyfriend were arrested by the Nazis and imprisoned in a concentration camp. In a speech designed to please the SED and DEFA, the older gay man explains how the communists helped him through his struggle.

The film ends with a scene in the classroom, as the headteacher--who obviously has discovered Philipp's sexual orientation--says that she and a group of teachers need to observe his classes to see if he's still suitable to teach. Philipp is quiet for a long time and this prompts the headteacher to say "Kollege Klahrmann!" to which Klahrmann simply replies, "Ja." Actor Mathias Freihof claims that this single utterance signifies the recognition by Philipp of his sexual orientation and all its baggage. In a depressing classic German cinema ending, Philipp loses his boyfriend, his girlfriend, and his job. The film closes with a shot of Philipp leaving his apartment block on his bicycle.

This is a predictable, drawn out, but good film--the first and only film about gay life produced in the former communist East Germany. "Coming Out" debuted the night the Berlin Wall fell. Stefan Carow composed the music, Wolfram Witt wrote the screenplay, and Heiner Carow directed. In German, available with or without English subtitles.

Victor Victoria (1982)




















Set in 1934 Paris, starving opera singer Victoria (Julie Andrews) is helped by gay cabaret performer Toddy (Robert Preston). When Victoria wears Toddy's ex boyfriend's clothes and then sends the abusive ex away with a loud shout and a right hook, Toddy is hit with inspiration: he'll pass her off as a female impersonator. She asks, "You want me to be a woman pretending to be a man pretending to be a woman?" With the help of the flamboyantly gay nightclub singer, she invents her alter-ego "Count Victor Grezinski", a female impersonator who is hired to sing at a fashionable night spot. Interwoven throughout the comedy and musical numbers are some astute observations about gender perceptions, discrimination and the battle of the sexes. It all goes well until Chicago mob boss King Marchand (James Garner), starts to investigate, sure that a man like himself could never fall for another man. The revelation of King's infatuation with Victoria brings his gay body guard "Squash" Bernstein (Alex Karras) roaring out of the closet and sends his spurned moll Norma Cassady (Leslie Ann Warren) off to Chicago to take revenge with King's other "business associates". Victoria must decide what she really wants: to be true to herself by giving up her career in Paris to be with her lover, or to continue with her show biz career and risk losing Marchand.

This classy slapstick musical farce involves transvestism and sexual identity as central themes. It's a character driven film where everyone is allowed to shine. Musical highlights include Victor/Victoria's "Le Jazz Hot" and "The Shady Dame from Seville"; Toddy's ode to "Gay Paree"; Warren's funny burlesque number, "King's Can-Can"; and "You and Me," done in a small club by Toddy and Victor in tuxedos. Legendary composer Henry Mancini won his last Oscar for the music score. Blake Edwards wrote the screenplay derived from Reinhold Schünzel's 1933 script, based on a concept by Hans Hoemburg. Blake Edwards directed.

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