A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.
Tuesday, April 7, 2009
The Houseboy (2007)
Ricky (Nick May) is 21 years old and is in a strange "houseboy" relationship with two older men, Dominic (Damián Fuentes) and Simon (Tom Merlino) in NYC. Although the two are a committed couple, they have added Ricky to the mix for fun. He is their bed partner or "toy" that they use to convince themselves that their relationship is as solid as it was when they first met 10 years before. As Christmas vacation approaches, the novelty is wearing off and Ricky overhears them discussing how they'll dump him when they return from their vacation. One wants a "new toy" for Christmas. Feigning ignorance, when the couple goes to one of their parents for Christmas, Ricky is left alone to housesit and care for their small menagerie of fish, rabbits, hamsters and feral cats. Ricky sees them off, starts to wallow in his misery, and plans to commit suicide in their home on Christmas Eve, so that they will discover him when they return.
To combat his loneliness, Ricky starts cruising the streets of Queens and uses the internet to line up a series of humiliating and dangerous hookups. One guy arrives and recalls being at the apartment a week earlier with one of Ricky's friends. Another shows up, does the deed, and then begins an attack of verbal abuse. A third guy, clearly a druggie, calls up a few of his friends and turns the apartment into an all-night crystal meth and sex orgy that Ricky observes from the sidelines, getting involved only to comfort one teenager he finds crying in the bathtub. At Ricky's lowest point, he finds himself on his knees in front of a fat middle-aged guy in a kitchen in some forgotten corner of the city.
Salvation comes from sweet Blake (Blake Young), a well-adjusted young gay man Ricky encounters on a park bench. Blake is smart, funny, kind, and not the kind of boy to kiss on the first date. As Ricky continues to work through his loneliness, self-hatred, and estrangement from his family, he finds himself gravitating toward Blake while realizing that his self-destructive behavior isn't going to get him anywhere but dead. College kid Blake is his own age, genuinely friendly and real, but is put off by Ricky's premature push toward intimacy. Ricky begins to realize there is something to live for after all. Blake is everything that he wants in a man, and it isn't long before the one-time boy toy is pondering a new life with someone he can truly love.
This film is a character study of a lost young man looking for love and answers in all the wrong places. It's entertaining, tender, raw, with an aimless story that leaves you wanting to learn what happens with the house boy. Despite some good eye candy, the film is darkly emotional and somewhat depressing at first. But there are some surprises in store. Acting is adequate, the direction a bit sloppy in parts, and this is just an average dramatic gay themed movie that has its moments. There are a couple of scenes that should have been left out: one involving Mr. Santa (Murray Hill) and Mrs. Clause jumping around, and another involving an orgy. The orgy was just exploitative and detracts from the serious subject matter. There is some nudity, graphic drug use, and simulated sex. The DVD includes some outtakes. Spencer Schilly wrote the screenplay and directed.
A Four Letter Word (2007)
The four letter word is "love", appropriated from a Bob Dylan song. Not an auspicious title, if you're looking for originality. It's about 6 people in NYC who are adrift. Flamboyant party boy Luke (Jesse Archer) enters a gay bar with his friends and meets his match in hot macho Stephen (Charlie David). Luke considers a stable and loving monogamous relationship with him. However, Luke's dream seems impossible when he catches Stephen in several lies, including how he earns his comfortable living and fancy apartment. Awakening in a twisted heap of naked strangers, Luke heads to work at a Chelsea sex store where he must face his co-worker Zeke (Cory W. Grant), a confrontational gay crusader who wants to change the world. Zeke takes gay liberation seriously, whereas Luke likes to party and takes nothing seriously. He's offended when Stephen calls him a gay cliché, then surprisingly they find each other attractive and interesting. Stephen has a great apartment, a trust fund, and artwork he's painted on his walls.
Up the street, actor and waiter Peter (Steven M. Goldsmith) is moving in with his long time boyfriend Derek (J.R. Rolley). Peter is a neat-freak, and Derek is nice to everyone, but Peter's compulsiveness threatens the relationship. His restaurant boss Marilyn (Virginia Bryan) is maniacally planning her wedding, but when her AA sponsor Trisha (Allison Lane) declares her attraction, Marilyn's sobriety and marriage are in jeopardy. Marilyn can't stop obsessing about wedding details. Smitten with Stephen, Luke considers giving monogamy a chance. He attends a sexual compulsives meeting where he discovers he is not the only nympho in New York. Luke is falling for Stephen, but it soon turns out that Stephen's cash doesn't flow from a trust fund--he works hard for his money as a hustler. A relationship between a playboy and a prostitute depends on whether that is the only secret Stephen is keeping. Among party boys, monogamists, addicts, and activists, Luke's search may unearth answers he cannot handle. Ultimately, the protagonists realize that being true to yourself is the best way to deal with the many complications of a four letter word called love.
This is essentially a sequel to director Casper Andreas' 2004 comedy "Slutty Summer", which included the characters Luke and Marilyn, as well as also taking place in the Chelsea area of Manhattan. There's an underlying lesson about self-acceptance and following your dreams, but the film suffers from poorly-directed overlapping stories and cheesy dialogue, as well as a gratuitous "nude male yoga" scene that has nothing to do with the story. It's a funny, honest, provocative, and endearing romantic comedy filled with one-liners and lots of eye candy. The acting is good, but this film is not a deep analytical view of gay men and sex in the new millennium, but a fun romp with interesting characters. If you want to be entertained, this movie will certainly fill the bill. Scott Starrett composed the original music, and the screenplay was written by Jesse Archer and Casper Andreas, who also directed. Bob Dylan should sue the producers of this film for ripping off his song title, but he's not that kind of person.
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