A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.

Monday, February 23, 2009

Only When I Laugh (1981)



















Georgia (Marsha Mason) is a successful Broadway actress who is alcoholic and has bad relationships with men. The film opens with her successful 90 day rehabilitation at an expensive Long Island rehab clinic and her return to Manhattan and to her two best friends. They are Jimmy (James Coco), a gay actor who drowns his sorrows in food, and Toby Landau (Joan Hackett), a beautiful bitter socialite whose main achievements are the rich men who have fallen in love with her. When we first meet Georgia, she is a voice in the dark behind the opening credits talking to her psychiatrist. ''The funny thing,'' Georgia says, ''is that I don't particularly like drinking, but I like bars. I like the people you meet in bars. I don't like the taste of liquor, but when I drink I'm very funny. At least, that's what people tell me later.''

A number of crises are waiting for Georgia when she leaves the clinic. Her teenage daughter Polly (Kristy McNichol), whom she neglected as a child, wants to move back in, though they still have to repair their relationship. Polly has the kind of wisdom given to teenagers in farces. Former boyfriend David (David Dukes), a writer and heel, has just penned a new drama that he wants her to star in--a fictionalized version of their often-combative relationship. Off-screen there is also Georgia's ex-husband, who has remarried. Basically, the story is about a vain alcoholic Broadway actress who tries to stay sober while dealing with the problems of her teenage daughter and her friends, and a gay actor relegated to small roles in third-rate shows.

This drama by Neil Simon is not one of his typical comedies, though there are moments of humor in this moving and uplifting film. Using 15 lines from ''The Gingerbread Lady,'' his 1970 Broadway failure, Simon has written an upbeat, often funny and occasionally harrowing story about an alcoholic. It's one of his best, and it's been treated with care by Glenn Jordan, a television director whose first theatrical film this is. All the main actors are outstanding and earned many award nominations. Marsha Mason is excellent, and the film is impressive and unforgettable. David Shire composed the original music.

The Talented Mr. Ripley (1999)



















Tom Ripley (Matt Damon) is a young man struggling to make a living in NYC in the 1950s. While working at a party playing the piano, he is approached by wealthy Herbert Greenleaf (James Rebhorn), who believes him to be a school friend of his son, Dickie. Greenleaf asks Ripley to travel to Italy to persuade Dickie to return to the US. Ripley agrees, even though he did not go to Princeton and has never met Dickie. He is offered $1,000 to carry out this job. In Italy Ripley meets Dickie Greenleaf (Jude Law) and his girlfriend Marge Sherwood (Gwyneth Paltrow), and quickly ingratiates himself into their lives. Over time Dickie begins to resent Ripley's presence and growing dependence, especially after he learns that Ripley has been lying about their days together at Princeton. Ripley's feelings are complicated by his desire to maintain the wealthy lifestyle Greenleaf has afforded him, and by his growing sexual obsession with his new friend.

As a gesture to Ripley, Greenleaf agrees to travel with him on a short holiday to Sanremo. The two hire a small boat and go sailing. They begin arguing while on board, with Dickie rejecting and mocking Ripley. Enraged, Ripley attacks Dickie, smashing him with an oar that kills him. Ripley then sinks the boat with Dickie's body on board to conceal his crime. When the hotel concierge mistakes Ripley for Greenleaf, Ripley realizes he can assume Greenleaf's identity. He takes on Dickie's signature and passport, and begins living off his allowance, while at the same time carefully providing communications to Marge to make her believe that Dickie has deserted her. "I feel like I've been handed a new life," he says. Greenleaf's old friend Freddie Miles (Philip Seymour Hoffman) visits Ripley at what he supposes to be Greenleaf's apartment in Rome. He is immediately suspicious of Ripley. When Miles discovers Ripley's scam, Ripley murders him and dumps the body.

Ripley's life becomes a cat and mouse game with the Italian police and Greenleaf's friends. He must alternate between Dickie Greenleaf and Tom Ripley. His predicament is complicated by Meredith Logue (Cate Blanchett), a wealthy heiress he met while traveling to Italy, who believes Ripley to be Dickie. Ripley eventually resumes his own identity, forges a suicide note in Greenleaf's name, and moves to Venice. Soon Marge, Herbert Greenleaf, and private detective Alvin MacCarron (Philip Baker Hall) confront Ripley. Marge suspects Ripley of involvement in Dickie's death, and Ripley plans to murder her. He is interrupted when Marge's friend, Peter Smith-Kingsley (Jack Davenport), enters the apartment.

Near the end of the film, private detective MacCarron reveals that Mr. Greenleaf has decided to give Ripley a portion of Dickie's income with the understanding that certain details about his son's past not be revealed to the Italian police. Ripley goes on a cruise with Smith-Kingsley, his new gay lover, only to discover that Meredith Logue is also on board. Logue knows Ripley only as Dickie Greenleaf, and Ripley realizes it will be impossible to keep Smith-Kingsley from discovering that he has been passing himself off as Greenleaf, since Peter and Meredith know each other. He cannot solve this dilemma by murdering Logue, because she is traveling with a large family who will notice her disappearance. The movie concludes with a sobbing Ripley killing Smith-Kingsley to protect his secret, and returning to his cabin alone.

This psychological thriller features outstanding acting by the entire cast. It was filmed mainly in Italy with famous landmarks in the cities of Rome and Venice being used as a backdrop for the narrative. The musical score by Gabriel Yared is evocative and moving. Anthony Minghella wrote the screenplay, adapted from the acclaimed 1955 novel by Patricia Highsmith. Anthony Minghella directed.

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