Philadelphia (1993)

Andrew Beckett (Tom Hanks) is a homosexual senior associate at the largest corporate law firm in Philadelphia. He lives with his lover Miguel Alvarez (Antonio Banderas) and hides his homosexuality and AIDS status from other members of the law firm. When they learn he is infected, he is fired because of fear they might contract the disease. Beckett sues his former law firm with the help of admitted homophobic lawyer Joe Miller (Denzel Washington). During the court battle, Miller sees that Beckett is no different than anyone else, overcomes his homophobia, and helps Beckett with his case before AIDS overcomes him. In court Beckett testifies that he was planning to tell his partners that he was gay, but he changed his mind after hearing them tell homophobic jokes in the sauna of a health club. Beckett collapses in court shortly after finishing cross-examination. During his hospitalization, the jury votes in his favor, awarding him back pay, damages for pain and suffering, and punitive damages. Miller visits Beckett in the hospital after the verdict and touches Beckett's face. After Beckett's family leaves the room, he tells Miguel that he is ready to die. Immediately afterwards, Miller is informed that Beckett has passed away. The movie ends with a reception at Beckett's home following the funeral where many mourners, including the Millers, view home movies of Beckett as a healthy child.

This was the second Hollywood movie to tackle the AIDS epidemic, and it signaled a shift in the early 1990s for mainsteam films to have more realistic depictions of gays and lesbians. The movie won Oscars for Best Music, Song (Bruce Springsteen's "Streets of Philadelphia") and Best Actor (Tom Hanks). In an interview for the documentary "The Celluloid Closet", Hanks said some scenes showing more affection between him and Banderas were cut, including a scene showing him and Banderas in bed together. Howard Shore composed the original music. Ron Nyswaner wrote the script, which was inspired by the story of Geoffrey Bowers, an attorney who in 1987 sued the law firm Baker & McKenzie for unfair dismissal in one of the first AIDS discrimination cases. Jonathan Demme directed.

Poster Boy (2006)

Henry Kray (Matt Newton) is a young gay man in college enjoying the freedom of coming out away from his family. His father is powerful U.S. Senator Jack Kray (Michael Lerner) from North Carolina, with a national reputation as a right-wing homophobe. Around campus Henry's homosexuality is an open secret. Anthony (Jack Noseworthy), a 28 year-old gay activist looking to party, meets several campus gays, including Henry. When Senator Kray finds himself fighting for his political career, he enlists his son to be the "posterboy" for the campaign. The campaign will begin at a luncheon at Henry's college campus. Anthony and his friend Izzie (Valerie Geffner) have an argument about outing Henry, and Izzie (who is HIV-positive) leaves. She is hit by the limousine transporting the senator and his wife Eunice (Karen Allen), then invited along for the campaign luncheon. Henry invites Anthony as well, insisting that he sit with him. Henry introduces his father, who begins his speech. As the speech continues, Henry stands up, pulls Anthony to his feet and kisses him in full view of the national media, outing himself before the activists have a chance to. Senator Kray and his team decide to spin the event by stressing that the Senator still loves his gay son. The film closes with Henry summarizing the aftermath. He and Anthony don't see each other again. Izzie has died of AIDS. The Senator won re-election despite or perhaps because of the controversy.

This dark edgy drama is told mostly in meandering flashbacks unfolding over 6 months as Henry tells his story to a reporter. It's almost a low-budget docu-drama attempting to make a point about politics, sexuality, and family values. Mark Garcia composed the music, and Lecia Rosenthal and Ryan Shiraki wrote the screenplay. Zak Tucker directed.

Noah's Arc (2005 -2006) (2008)

Logo Channel's TV series "Noah's Arc" is a black "Queer as Folk" with some "Sex in the City" thrown in. Set in Los Angeles, the show features the lives of four black gay friends dealing with everyday events. At the center of the circle is soft-spoken Noah Nichols (Darryl Stephens), a young struggling screenwriter with romantic ideals who is new to having a boyfriend. Surrounding him are uptight professor Chance Counter (Doug Spearman), flamboyant Alex Kirby (Rodney Chester), and unrepentant Ricky Davis (Christian Vincent). Noah struggles as a screenwriter, and in his dating life becomes very attracted to successful closeted film writer Wade (Jensen Atwood). Neither Noah nor the audience can tell if Wade's attracted to him or not. The cast rallies round one another for adventures great and small, and that's what makes it enjoyable, whether you're single, gay, black, or whatever. Often referred to as a comedy-drama, the show integrates socially-relevant issues such as same sex dating, same sex marriage, HIV awareness, infidelity, sexual curiosity, promiscuity, gay bashing and same sex parenthood.

"Noah's Arc" premiered on October 19, 2005 on the Logo TV network, and was Logo's most popular program. It ended October 4, 2006. Only two seasons were made. Season one was filmed in Los Angeles with nine episodes. Season two was filmed in Vancouver, Canada with eight episodes. Plus there is the pilot, included in the season one DVD release. Runtime is 23 minutes per episode. The original title of the series was "Hot Chocolate". It was announced that the show had been canceled a few months after the post-production of the film based on the series, and a few years after the cliffhanger finale. The melodramatic film adaptation "Noah's Arc: Jumping the Broom" served as a follow-up of the series. Patrik-Ian Polk created the show, directed some episodes and wrote the scripts for 3 episodes. Brent Belke composed the original music for 5 episodes. Laurie Lynd and Mina Shun directed 2 episodes each.

"Noah's Arc: Jumping the Broom" (2008) takes place two years after the second episode and features Noah and Wade prepaing to marry in Martha's Vineyard. In attendance are Alex, managing the food and preparations; Chance, accompanied by his neglected partner of four years, Eddie (Jonathan Julian); the promiscuous Ricky, who secretly covets Noah; Brandon (Gary LeRoi Gray), a student of Chance’s, who is dating Ricky and afraid of coming out to his family; and a closeted British rapper, Baby Gat (Jason Steed). The personal problems of their friends and the unexpected arrival of Baby Gat threatens to end their relationship. With the Jacuzzi and two bachelor parties, the occasion prompts a flurry of flirtations, jealousies and sexy encounters. Emphasis is on communication, monogamy, and child rearing. The group shares a prayer at the dining room table. Written and directed by the show’s creator, Patrik-Ian Polk, the film ends with vows of commitment.

The Perfect Son (2002)

Ryan Taylor (Colm Feore) is a successful lawyer who has taken care of his father while younger brother Theo (David Cubitt), the black sheep of the family, has distanced himself from his family and become a drug abuser filled with self loathing. The death of their father reunites thirty-something Ryan and Theo. Hesitant to acknowledge emotional bonds between them, Theo soon discovers Ryan's secret homosexuality and AIDS infection. It is from this point we see the two characters slowly come together. Theo is an unpublished writer who spends more time inside of drug rehab centers than in the real world, and appears to be not the perfect son of the title. His girlfriend is Chandra West (Sarah Parker). Ryan is in charge of all the funeral details, and appears to be the perfect son until we accidentally discover that his gay lifestyle has contributed to a secret 10 years of IV infusions for AIDS. In talks talks about their father's estate, Theo learns about his brother Ryan's sexuality and that he is in the final stages of AIDS. Theo becomes one of Ryan's caregivers, and as they draw closer together the relationship helps him to better deal with other issues in his life.

"The Perfect Son" touches on many taboo topics such as gay sexuality, AIDS, death, euthanasia, and abortion. However the main purpose of this movie is showing two brothers dealing with their emotions. The DVD is well presented considering it is a small budget Canadian Film. It goes through the motions to hit all the politically correct notes, but the moralistic script and the choppy editing create a sloppy film with a slow fade in/fade out technique. Moreover, it's predictable, too familiar, forced, and somewhat depressing. Ron Sures composed the original music, and Leonard Flarlinger wrote the script and directed.

Caravaggio (1986)

This film is a fictionalized biography of Baroque painter Michelangelo Merisi da Caravaggio (Nigel Terry), the 16th-century artist. It explores the love triangle of Caravaggio, Lena (Tilda Swinton), and Ranuccio (Sean Bean) and dwells upon Caravaggio's use of street people, drunks, and prostitutes as models for his dark and dimly lit paintings. The movie begins with Caravaggio as a youth (Dexter Fletcher) who charges for everything he sells, whether it's his paintings or his body. All gay and bisexual characters live life to the hilt. There are many anachronisms, such as Caravaggio's use of contemporary dress for his Biblical figures, a bar lit with electric lights, and a character using an electronic calculator. Caravaggio is presented as one of the founders of the chiaroscuro technique, which uses selective light to illuminate form in contrast to the deep shadows around it. His genius made him a legend, and the film suggests that the legend ultimately eclipsed his enormous talent. After Ranuccio has stabbed him in a fight, Caravaggio tells his mute servant Jerusaleme (Spencer Leigh): "All art is against lived experience. How can you compare flesh and blood with oil, ground pigment?" Lying on his deathbed, delirious with fever, Caravaggio recalls his life, loves, and obsessions. A monk tries to force a crucifix into Caravaggio's hands, but he uses his last strength to hurl it away.

"Caravaggio" was shot entirely at Limehouse Studios, in the central London dockyards on the Thames River. It is director Derek Jarman's most ambitious, popular, and acclaimed film, typical of his style, one of his greatest works, and features an engrossing plot. It took eight long frustrating years before he could finally bring it to the screen. The dialogue is in unrhymed verse, and Jarman did not create a Hollywood reproduction of Caravaggio's world, only "an Italy of the mind." Simon Fisher-Turner composed the original music, and Derek Jarman wrote the script from a story by Nicholas Ward Jackson.

L.I.E. (2001)

15 year-old Howie Blitzer's (Paul Dano) mother has just died in a car accident. His father Marty (Bruce Altman), an unscrupulous workaholic building contractor who's constantly having sex with his girlfriend, has no time for his own son. Therefore, the teen must navigate his adolescence virtually unsupervised. Howie joins a gang of boys who break into houses for kicks and they rob houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary (Billy Kay) break into a place belonging to an old guy named Big John (Brian Cox), a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been keeping a secret: he is in a sex-for-pay relationship with Gary. Big John is a former Marine with a taste for young boys. He not only desires young teenagers, but young adult men and women as well. Except for a short glimpse inside his bedroom, we don't find out what makes Gary tick. A relationship develops between Howie and Big John that surprises them both. Big John becomes Howie's caretaker when Howie's father is sent to prison in a tedious subplot. Unlike Howie's father or friends, Big John answers his questions about his worth and place in the world, and also about sex. For a while their lives intersect, and neither of them knows quite what to do. Howie walks away with the knowledge of his own value as a human being. He's able to assert himself in a confrontation with his father later in the film, and proclaim himself to the world. Big John walks away knowing that he's made a permanent and vital difference in the life of another person, and that he's finally loved someone.

There are references to homosexuality and pedophilia in the movie, but this is not a movie about homosexuality or pedophilia. It is a story about a boy who finds that important something in his life that is missing. It's controversial because one of the main characters is a pedophile. However, there are no inappropriate sex scenes, excessive violence, or vulgar language. But Howie does masturbate in bed, and Gary takes his shirt off at every opportunity in a clearly erotic manner. "L.I.E." (a double-meaning acronym for the Long Island Expressway) captures male adolescence more genuinely than most films, with realistic relationships, great performances, and an interesting plot. Pierre Földes composed the original music, Stephen M. Ryder wrote the screenplay, and Michael Cuesta directed.

Gosford Park (2002)

In early 1930s England, Gosford Park is an estate owned by Sir William McCordle (Michael Gambon). His bored wife Lady Sylvia (Kristen Scott Thomas) and his frumpy daughter Isobel (Camilla Rutherford) are served by staff who include Mrs. Wilson (Helen Mirren), the butler Jennings (Alan Bates), and the head of the kitchen Mrs. Croft (Eileen Atkins). A weekend hunting party is underway and as the guests arrive the distance between the wealthy and the serving class is emphasized. Among the odd assortment of guests are: Maggie Smith, Tom Hollander, Charles Dance, Bob Balaban, Jeremy Northam, James Wilby, and their valets and servants Clive Owen, Kelly Macdonald, Ryan Phillippe, etc. The hunting party is scarred by a minor accident, but the real problem starts with the murder of the grumpy William McCordle. Police are called and Inspector Thompson (Stephen Fry) uncovers some evidence that leads to the events of the murder and also unveils many of the secrets of both guests and servants. There is a surprise ending that makes all of the characters seem more human than the artificial roles they have assumed.

This film is a study of the British class system during the 1930s. Some secondary themes are also explored, such as sexual mores during the 1930s, gay issues (the relationship between Henry Denton and Morris Weissman), WWI, the decline of the British Empire, and so on. The film was shot with two cameras, both filming in opposite directions. The cameras usually pointed toward no specific area, intended to cause the audience to move their eyes throughout the scene. "Gosford Park" received an overwhelmingly positive response from film critics. Patrick Doyle composed the original music. The screenplay is by Julian Fellowes, based on an idea by Robert Altman and co-producer Bob Balaban. Robert Altman co-produced and directed.

A Different Story (1978)

In the late 1970s Albert (Perry King) is an illegal alien from Belgium working in LA as a chauffeur and lover to a string of powerful men. Stella Cooke (Meg Foster) is a real estate agent dealing exclusively in mansions, and she has several women lovers. She meets Albert through one of her wealthy clients, then she finds him camping in a palazzo she is trying to sell. Albert is unemployed, so she temporarily takes him in to sleep on the sofa of her comfortable apartment. He stays for good, and soon Albert cooks, vacuums, fluffs pillows and hangs up Stella's clothes. He becomes her cook and housekeeper, time passes, and they marry so he won't be deported. Later, after a boozy birthday celebration with him, she finds herself pregnant. The "gay" couple have a baby, buy a Mercedes, move into a big house, and squabble just as other couples do. They try to be a family, love grows, and she puts her career on hold as his fashion designer career takes off. Supposedly the gay man and his lesbian wife live happily ever after in this absurd scenario.

The Gay Activists' Alliance has circulated a letter expressing alarm about "A Different Story". The movie's use of their homosexuality is exploitative, insensitive, and offensive in many ways. Futhermore, it is unconvincing. Albert's mincing homosexuality is nothing but a gimmick. Reversing sex roles has comic potential, but this film uses homosexual stereotypes in a very twisted and perverse way. It's not a very good movie, partly because scenes end at uninteresting moments, making the film's chronology completely obscure. Original music was composed by David Michael Frank. Henry Olek wrote the script, and Paul Aaron directed.

I Think I Do (1997)

Bob (Alexis Arquette), Brendan (Christian Maelen), Sarah (Marianne Hagan), Matt (Jamie Harrold), Carol (Lauren Vélez), and Eric (Guillermo Díaz) share an off-campus apartment at George Washington University in Washington DC. Bob is in love with his room-mate Brendan. At a Valentine's Day party, Bob makes a clumsy pass at Brendan and is punched, then sleeps with Sarah.

Five years later, the former flatmates gather again for Matt and Carol's wedding and sparks fly as the ex-roommates navigate through their reunion. Bob is accompanied by his soap-star lover Sterling Scott (Tuc Watkins). Sarah still carries a torch for Brendan but Brendan now realizes he's gay. Carol has such an untraditional attitude toward her wedding that she invites everybody back to the bridal suite for an after-party. Brendan declares his love for Bob, while elsewhere a drunken Sterling announces he and Bob are going to "marry". Having been accidentally locked out of their room by Sterling, Bob ends up sleeping with Brendan. At brunch the next morning Bob's love-bite gives the game away. After some soul-searching and discussions, Bob and Brendan eventually leave happily together.

This 1930s-style screwball comedy with a modern twist is funny, witty, intelligent, heartwarming, but requires a taste for topical humor and clever conversation. It's a Gen-X "Big Chill" update without the politics, with characters who are funny and sympathetic. Brian Sloan wrote the screenplay and directed.

Doing Time on Maple Drive (1992)

Phil Carter (James B. Sikking) is a successful restaurateur, married for many years to Lisa (Bibi Besch). They have three grown children: Karen (Jayne Brook), Tim (Jim Carrey) and Matt (William McNamara). Karen is married to Tom (David Byron), Tim works in his father's restaurant, and Matt is a Yale student. Matt brings fiancée Allison (Lori Loughlin) home to meet the family. While there the relationships between the family members are tested, and the secrets hidden behind the "perfect family" image are exposed. Allison discovers that Matt is gay and has left a long-term boyfriend to marry her to please his parents. She leaves and he has to explain to his family why Allison has abandoned him.

Matt is injured in a car crash, and he returns home to recuperate. As he recovers, the family is revealed to be dysfunctional. Tim is an alcoholic. Matt's car crash was a suicide attempt from the pressure of being gay and closeted from his parents and lying about Allison breaking their engagement because of it. Lisa is in complete denial about all of the family problems. Karen's husband Tom learns that Karen is pregnant and she's considering having an abortion. Tom angrily confronts her father Phil, saying that while Phil may be destroying his own family he won't allow Phil to destroy his. He takes Karen away. Matt confronts his parents, and tells his mother that she already knew he is gay because she saw him with another boy. Lisa continues to struggle with denial, but Phil begins to take steps toward understanding.

So, the family includes an alcoholic son, a gay son who is trying to be straight to please his family, a daughter and her husband with marital problems, an ultra-conservative father who is hard on his children, and a mother who cares too much what other people think and hides behind a lie. Plus a girl who thinks her fiance is straight, but has to face the truth.

This Fox made-for-TV drama is an honest, respectful, and tasteful look at a dysfunctional family. Great performances, a good script, and a compelling story with no melodrama make it worth watching. Laura Karpman composed the original music, James Duff wrote the screenplay, and Ken Olin directed.