A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.

Friday, December 5, 2008

Violet's Visit (1995)



















Australian girl Violet (Rebecca Smart) is weary of her single mother's wild romantic life, filled with boyfriends old and new. When Violet's mom introduces her to the latest "dad", she runs away from her boring small hometown in search of her estranged father she has never met. The fiesty 15 year-old prefers the nickname "Scooter" and believes he lives in Sydney with his new wife. In fact he is in a gay relationship with his long-time lover. With his address given to her by her grandmother, she turns up on his doorstep to surprise him. Gym owner Alec (Graham Harvey) and lawyer Pete (David Franklin), a pleasant pair of well-buffed, domestically partnered gays are very shocked! The three negotiate a "La Cage aux Folles" relationship with humor and sensitivity. This inevitably leads to changes and readjustments all round as Alec gets to know the daughter he never wanted and hardly knows. After agreeing that Violet can stay on a trial basis, the boys soon realize that having a teenager around the house is not easy for two gay men whose sole previous family was a pair love birds. Violet finds the gay world of her father heady but also confusing. Scooter takes to the streets. Her long absence only brings the couple together in a new appreciation for the importance of family and their mutual love for Scooter. The way in which the story is resolved is predictable but genuinely warm and tender.

This sweet Australian film is well paced, and never makes the error of going over the top in its depiction of Scooter's plight or the way gay people are portrayed. All of the male actors are handsome and so comfortable in their roles that their sexuality is simply an aside. Graham, Franklin, and Smart give excellent performances and their screen presence is realistic and warm. One aspect of the film that may present a problem for non-Australian viewers is that the Aussie accents are so thick that the dialogue at times is indecipherable. But that also adds to the flavor of this significant film. It was written by Andrew Creagh and Barry Lowe based on a story by Richard Turner, who also directed.

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