Mary (Jena Malone) is a good Christian girl who goes to American Eagle Christian High School near Baltimore where she has good friends, mainly Hilary Faye (Mandy Moore) and Veronica (Elizabeth Thai), and a perfect Christian boyfriend, Dean (Chad Faust). Her life seems perfect, until the day that she finds out that Dean may be gay. After seeing a vision of Jesus in a pool, she does everything in her power to help him turn straight, including losing her virginity to him. Dean's parents tell her they found gay pornography under his bed and that he is on his way to Mercy House, a Christian "degayification" treatment center. Mary becomes pregnant. It's during her time of need that she becomes real friends with the school's set of misfits, including Cassandra (Eva Amurri), the school's only Jewish girl; Roland (Macaulay Culkin), Hilary Faye's wheelchair-bound brother; and Patrick (Patrick Fugit), the skateboarder son of the school's principal, Pastor Skip (Martin Donovan). Her wealthy former best friend Hilary turns her into a social outcast. The story goes on and on and on and on and ends with Mary and Dean's baby girl being born. Lillian, Patrick, Dean, Roland, Cassandra and Dean's boyfriend Mitch (Kett Turton) enter the hospital room to offer her their support, while Skip waits outside. Mary's voiceover tells us how she went back to believing in a God that loves and helps the ones who love and help others in need. The assembled friends in the room have a photograph of themselves taken.
This teen comedy explores the issues of religion, ostracism, the Christian and homosexual conflict, teen pregnancy, divorce, and disabilities. Film critic Roger Ebert gave the film three and a half out of four stars, calling it "a pointed satire in the form of a teen comedy". He and his partner Richard Roeper awarded the film "Two Thumbs Up". Others criticized the film for anti-Christian views. One thing that was agreed upon is the film's third act weakened after its decent first two acts. The narrative starts falling apart visually. Movies are told with the camera, not by a script, and the timing in many of the final scenes is off a bit. Written by Michael Urban and Brian Dannelly, who also directed.
