Michael (Richard Ganoung) and Robert (John Bolger) are a gay couple in NYC who separate because Robert is leaving for Africa for 2 years. Nick (Steve Buscemi) is Michael's ex-boyfriend with AIDS, and Michael still loves and looks after him. The film takes place over a two-day period, with many of the scenes at a farewell party for Robert hosted by the couple's friend Joan (Kathy Kinney) and at a dinner party hosted by Robert's employer Cecil (Patrick Tull) and his wife Betty (Yolande Bavan), who have an unconventional marriage. Michael encourages Nick to attend Robert's going-away party, and tries to get Robert to stop avoiding Nick, the lead singer of a punk band whose video MTV has put into current rotation. Michael travels around town, visits a record store, is pursued by a cute young cashier, has dinner with the married couple, criticizes Robert for his callousness, and tries to nursemaid Nick--whose defiance against convention, pity, and nightmares makes him the moral center of the film, rather than a victim. As Robert gets ready to leave, Nick plays a prank on Michael to test his devotion.
A concise synopsis of gay-themed movies and gay interest films. Click on the photos to enlarge.
Wednesday, November 5, 2008
Parting Glances (1986)
Michael (Richard Ganoung) and Robert (John Bolger) are a gay couple in NYC who separate because Robert is leaving for Africa for 2 years. Nick (Steve Buscemi) is Michael's ex-boyfriend with AIDS, and Michael still loves and looks after him. The film takes place over a two-day period, with many of the scenes at a farewell party for Robert hosted by the couple's friend Joan (Kathy Kinney) and at a dinner party hosted by Robert's employer Cecil (Patrick Tull) and his wife Betty (Yolande Bavan), who have an unconventional marriage. Michael encourages Nick to attend Robert's going-away party, and tries to get Robert to stop avoiding Nick, the lead singer of a punk band whose video MTV has put into current rotation. Michael travels around town, visits a record store, is pursued by a cute young cashier, has dinner with the married couple, criticizes Robert for his callousness, and tries to nursemaid Nick--whose defiance against convention, pity, and nightmares makes him the moral center of the film, rather than a victim. As Robert gets ready to leave, Nick plays a prank on Michael to test his devotion.